I really wanted to enjoy my first trip to New York, but I also wanted to take some pictures. It is difficult to know how to respond to a location that looms large in our collective imagination. My main aim was to keep things fresh, and without resorting to cliché add my own dots to the puzzle of images already in our head. I also didn’t want to spend the whole trip with a camera stuck to my face.
By using a digital pinhole I let serendipity take the lead. This allowed me to ‘see’ through my own eyes rather than ‘look’ through the camera lens, and to remain engaged with the city.
I enjoy working with ambiguities: mixing a state of the art digital camera with a pinhole lens, working digitally to produce work whose square format references the past, and by blending colour with black and white. The image above is one of six pieces from my trip to NYC. On reflection they’re more about the notion of ‘the photographic eye’ and are an exploration into the unpredictable side of photography.