The EU Referendum and particularly the Brexit/Leave campaign is making me very angry. I am Welsh, British and European and feel proud of being all three. I passionately believe the UK needs to remain in the EU and am very scared by what will happen if we leave. I do not want to live in a little England closed off to other countries and cultures. I want to live in a forward thinking, multi-cultural country that cares about it’s people and it’s environment.
I have been thinking about what I can do to show my support for the Remain campaign. As an artist,other than talking to people, all I can do is to continue to make work that I’m passionate about. So I’ve been looking at the EU flag: it features a circle of 12 gold stars on a blue background. They stand for the ideals of unity, solidarity and harmony among the peoples of Europe. Coincidentally in reference to EU funding (European Regional Development Fund (ERDF); European Social Fund (ESF)) the UK is split into twelve regions. The work I intend to make will focus on these regions.
The first piece ‘Star Shaped Holes #5’ I’ve made focusses on the North West. It uses an image I made with my fathers Medium Format film camera in the Lake District; a quintessentially English landscape:
If you take away the stars then you lose your way..
utopia:dystopia is an ambitious series of exhibitions and events curated by Geoff Dunlop and Sophie Erin for Fringe Arts Bath during 2016. This creative initiative is inspired by the 500th anniversary of the publication of Utopia, Thomas More’s reflections on the idea of an ideal society. Since 1516, the year of Utopia’s release, the world has witnessed countless attempts to establish a perfectly ordered community, in reality as well as in print. Yet the frequent outcome of such ambitions has been the decay of Utopia into Dystopia. From no-place to bad-place. In modern times the two concepts seem inseparable.
I will be showing pieces from a new body of work ‘Cofio | Remember’. The work pays homage to the rallying cry of Welsh nationalism ‘Cofio Tryweryn’. This remembers the flooding of Twyweryn valley in 1965 to create a reservoir to provide water for the city of Liverpool.
Walking under electricity pylons in the Severn Estuary during a very foggy Autumn day, at times you could see no more than twenty metres in front of you. You could however hear the buzz of electricity. ‘Cofio | Remember’ re-imagines the purpose of the pylons, in that they are not in fact carrying electricity but instead transporting light, i.e. away from the area to somewhere else. It imagines a dystopian future when a communities light is taken from one area to provide light for another. With water becoming the new oil, whose to say light might not become the new water?
28 May until 12 June (10am – 6pm)
Walcot Gate, off Walcot Street
Bath BA1 5UG
Ystrad|Strata are very excited to be part of a cosmic mini-festival in Aberystwyth which will feature and celebrate aspects of future Wales. Visual artists, musicians, writers, performers and thinkers will gather for a day of imagining and creating future Wales.
With sci-fi and futurism becoming increasingly prominent in Welsh culture this event provides a timely opportunity to pull togerther the people working and making in the field together in one place. Amongst the artists taking part are the noted designer Hefin Jones whose Welsh Space Campaign and Cosmic Colliery projects have attracted world-wide attention. The headline band for the event is HMS Morris , bringing their cosmic pop-rock to the festival. The band were chosen as part of the BBC Wales Gorwelion scheme and have seen great success this year already playing to acclaim at Glastonbury and Festival No. 6. Supporting them will be the local electronic band, Roughion.
Arad Arad Goch Centre will be a space centre for the day with activities filling the building. As well as the music performances, there will be panel discussions on subjects such as literature, games, politics and art.
Canolfan Ofod Arad Goch Space Centre
Aberystwyth SY23 2NN
Sat 28th November 2015 (1pm-11:30pm)
Ticket sales and information on artists
I really wanted to enjoy my first trip to New York, but I also wanted to take some pictures. It is difficult to know how to respond to a location that looms large in our collective imagination. My main aim was to keep things fresh, and without resorting to cliché add my own dots to the puzzle of images already in our head. I also didn’t want to spend the whole trip with a camera stuck to my face.
By using a digital pinhole I let serendipity take the lead. This allowed me to ‘see’ through my own eyes rather than ‘look’ through the camera lens, and to remain engaged with the city.
I enjoy working with ambiguities: mixing a state of the art digital camera with a pinhole lens, working digitally to produce work whose square format references the past, and by blending colour with black and white. The image above is one of six pieces from my trip to NYC. On reflection they’re more about the notion of ‘the photographic eye’ and are an exploration into the unpredictable side of photography.
I’ve been dismissive about Instagram in the past, mainly because it can sometimes take the art out of photography. However using a camera-phone whilst out and about to snap anything that interests me, I’ve come to see the value in it. Until now these these images have been stuck on my phone and eventually end up on my computer. For many this is the best place, but some are pretty good and should be shared. I’m conscious that I don’t update my website often enough with new work, so Instagram is good way of regularly showing what’s grabbing my attention.
So, if you’d like to keep up-to-date with my random collection of camera-phone pictures or follow me on Instagram, please use this: DMD Instagram Link or the Instagram icon on my Home Page footer to link to my Instagram page.
‘in the distance’: 73cm x 73cm Giclée print / Ash box framed. Available as an edition of 5.
It’s always nice to be invited to show at the Grant Bradley Gallery, being the gallery closest to my home and studio. I want to see how you see is curated exhibition of photography selected from a diverse group of artists living and working in the Bristol region. The exhibition encompasses works of contemporary portraiture, landscape and social documentary. With no given theme, each artist displays the work that best represents themselves. I will be showing ‘in the distance’ from my ‘Built Environment’ series plus a short film ‘the light shines through’.
I want to see how you see
9th – 30th August 2014
Private view – Friday 8th August at 6pm
The Grant Bradley Gallery
1 St Peters Court
Bristol BS3 4AQ
Tel: 0117 9637 673
‘blown by the river’: 32cm x 47cm framed Giclée print, aluminium dibond mounted. available as an edition of 10.
As an associate artist with Walking the Land I am happy to be showing as part of ‘From the River and the Sea’. The exhibition will feature work by painters, printmakers, photographers and sculptors, please view the Exhibition eGallery
‘From the River and the Sea’
The Old Passage Inn, Arlingham, Gloucestershire GL2 7JR
Tel: 01452 740547
The exhibition runs from 6 May – 31 May
Tuesday to Friday: 11am – 10pm
Saturday & Sunday: 11:30am – 10pm
Walking the Land connect art, landscape and community, with the landscape and walking providing the catalyst for their creative activities.
‘From the River and the Sea’ is part of the Stroud Valley Arts Site 2014 Festival
‘dark matter iii’: 30cm x 40cm floating Giclée print, aluminium dibond mounted. available as an edition of 10.
For this years Bristol Festival of Photography I’m pleased to be showing a collection of images and one short film exploring the lure of the sea, at the wonderful Zion Community Arts space in South Bristol.
The Festival will run throughout May with photographers and artists showing at venues across the city.
The exhibition runs from 1 May – 30 May
Tuesday to Friday: 9:30am – 4pm
Saturday 10am – 1pm
Zion Community Arts
Bishopsworth Road, Bedminster Down, Bristol BS13 7JW
Directions: on street parking is available along Bishopsworth Rd and surrounding streets. The No.75/76 Showcase bus route stops opposite Zion and along Bishopsworth Rd. Parson St station is situated at the bottom of Bedminster Down Rd, approximately 10mins walk (uphill).
The Contemporary Landscape Photography Open is the W-CA’s second juried exhibition of 2013, focussing on contemporary photographic responses to landscape. I’ll be showing ‘new-clear vision i’ as part of the show: a 26″ x 40″ floating Giclée print, aluminium dibond mounted, available as an edition of 10.
ALIKI BRAINE * ALNIS STAKLE * BEN CAVE * COLIN THOMAS * CRAIG DOW * CHARLIE HURCOMBE * DAFNA TALMOR * DAN BURWOOD * DANIEL BOSWORTH * DARREN NISBETT * DAVE MORGAN-DAVIES * DAVID SHEPHERD * FERGUS HERON * FERNANDO MASELLI * GEOFF HODGSON * GLEN STOKER * HELEN SEAR * JAMES SMITH * JIM JOHNSTON * KAREN DENSHAM * LOUISE OATES * MARTINA LINDQVIST * MINNA PÖLLÄNEN PADDY KELLY * PHILLIPA KLAIBER * ROB BLEWS * SAM KEMP * STEPHEN SHEEHAN * STEPHEN MONGER * SUJATA MAJUMDAR * SYLVIA STIFF * TANIA COATES * TRISTAN HUTCHINSON * VICTORIA AHRENS * ZOE CHILDERLEY
Paul Seawright, Dan Holdsworth, Richard Billingham, Pete James, Jem Southam and Ivan & Heather Morison and Fiona Crisp.
The exhibition runs from 07 – 28 December 2013.
10:30am to 4:30pm
Worcester City Gallery & Museum,
Foregate Street, Worcester, WR1 1DT
For more details visit the W-CA website
I’m very pleased to have had ‘Above the line’ selected for this years RWA’s Annual Open exhibition.
‘Above the Line’ is a 26″ x 40″ floating Giclée print, aluminium dibond mounted. It is available as part of an edition of 10.
The exhibition runs from 24 November 2013 – 26 January 2014.
For more details visit the RWA website